CONCERT 2
Winner 1 - College
TBD
Winner 2 - HighSchool
TBD
Elizabeth A Kelly - Stop, Drop, and Listen
(for Actor, Orchestra, and Audience) 5’
with Kerry and Abby, comedians
1 1 1 1
3 1 1 0
Percussion and Actors
Aristea Mellos - Fountain of Steel (2011) - 8'
for sinfonietta orchestra
Flute doubling piccolo, oboe, clarinet doubling bass clarinet
Bassoon
Horn in F, Trumpet in C, Trombone, Tuba
Percussion 1:
Snare Drum, Temple Blocks (3), Slide Whistle, Suspended Cymbal (medium size), Tom-toms (2), Tambourine, Siren Whistle, Tam-Tam (with a bucket of water), Vibraphone (shared with Perc. 2) and Castanets.
Percussion 2:
Vibraphone, Sizzle Cymbal, Xylophone, Egg Shaker, Crotales
Piano, Harp
Strings - bass with C-extension
Osborne - Smoke, Steel, Stone, Cinder
15 instruments
fl, ob, cl, bn, hn, tpt, tbn, 2 prc, pno, 2 vln, vla, vlc, db
Schickele - Eine Kleine Nichtmusic - 12'
1 1 1 1 - 1 1 1 0; Str.
CONCERT 2
Winner 1 - College
TBD
Winner 2 - HighSchool
TBD
Elizabeth A Kelly - Stop, Drop, and Listen
(for Actor, Orchestra, and Audience) 5’
with Kerry and Abby, comedians
1 1 1 1
3 1 1 0
Percussion and Actors
Aristea Mellos - Fountain of Steel (2011) - 8'
for sinfonietta orchestra
Flute doubling piccolo, oboe, clarinet doubling bass clarinet
Bassoon
Horn in F, Trumpet in C, Trombone, Tuba
Percussion 1:
Snare Drum, Temple Blocks (3), Slide Whistle, Suspended Cymbal (medium size), Tom-toms (2), Tambourine, Siren Whistle, Tam-Tam (with a bucket of water), Vibraphone (shared with Perc. 2) and Castanets.
Percussion 2:
Vibraphone, Sizzle Cymbal, Xylophone, Egg Shaker, Crotales
Piano, Harp
Strings - bass with C-extension
Osborne - Smoke, Steel, Stone, Cinder
15 instruments
fl, ob, cl, bn, hn, tpt, tbn, 2 prc, pno, 2 vln, vla, vlc, db
Schickele - Eine Kleine Nichtmusic - 12'
1 1 1 1 - 1 1 1 0; Str.
CONCERT 2
Winner 1 - College
TBD
Winner 2 - HighSchool
TBD
Elizabeth A Kelly - Stop, Drop, and Listen
(for Actor, Orchestra, and Audience) 5’
with Kerry and Abby, comedians
1 1 1 1
3 1 1 0
Percussion and Actors
Aristea Mellos - Fountain of Steel (2011) - 8'
for sinfonietta orchestra
Flute doubling piccolo, oboe, clarinet doubling bass clarinet
Bassoon
Horn in F, Trumpet in C, Trombone, Tuba
Percussion 1:
Snare Drum, Temple Blocks (3), Slide Whistle, Suspended Cymbal (medium size), Tom-toms (2), Tambourine, Siren Whistle, Tam-Tam (with a bucket of water), Vibraphone (shared with Perc. 2) and Castanets.
Percussion 2:
Vibraphone, Sizzle Cymbal, Xylophone, Egg Shaker, Crotales
Piano, Harp
Strings - bass with C-extension
Osborne - Smoke, Steel, Stone, Cinder
15 instruments
fl, ob, cl, bn, hn, tpt, tbn, 2 prc, pno, 2 vln, vla, vlc, db
Schickele - Eine Kleine Nichtmusic - 12'
1 1 1 1 - 1 1 1 0; Str.
CONCERT 2
Winner 1 - College
TBD
Winner 2 - HighSchool
TBD
Elizabeth A Kelly - Stop, Drop, and Listen
(for Actor, Orchestra, and Audience) 5’
with Kerry and Abby, comedians
1 1 1 1
3 1 1 0
Percussion and Actors
Aristea Mellos - Fountain of Steel (2011) - 8'
for sinfonietta orchestra
Flute doubling piccolo, oboe, clarinet doubling bass clarinet
Bassoon
Horn in F, Trumpet in C, Trombone, Tuba
Percussion 1:
Snare Drum, Temple Blocks (3), Slide Whistle, Suspended Cymbal (medium size), Tom-toms (2), Tambourine, Siren Whistle, Tam-Tam (with a bucket of water), Vibraphone (shared with Perc. 2) and Castanets.
Percussion 2:
Vibraphone, Sizzle Cymbal, Xylophone, Egg Shaker, Crotales
Piano, Harp
Strings - bass with C-extension
Osborne - Smoke, Steel, Stone, Cinder
15 instruments
fl, ob, cl, bn, hn, tpt, tbn, 2 prc, pno, 2 vln, vla, vlc, db
Schickele - Eine Kleine Nichtmusic - 12'
1 1 1 1 - 1 1 1 0; Str.
Vibrant voices of living American composers
Steve Reich at 90.
One of the most influential living composers, Steve Reich turns 90 this October. To celebrate, Cordancia Chamber Orchestra and vocal ensemble Quince present Reich’s Tehillim, an ecstatic setting of Hebrew psalm texts with hypnotic overlapping melodies. Four singers and twenty-four instruments come together through Reich’s memorable and unmistakable rhythmic drive.
Courtney Bryan’s Requiem, composed for Quince and commissioned by the Chicago Symphony Orchestra, combines a small New Orleans-inspired band of instruments with the four voices of Quince in a reverent multicultural requiem. Bryan pulls in influences from neo-shamanistic rituals and the Tibetan Book of the Dead alongside texts from Catholic and Protestant funerary rites.
